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Theatre Reviews
review
Bad Roads, a brutally revealing Ukrainian play about war in the digital age, takes the stage at Crows Theatre
November 10, 2023
nestruck on theatre
Kim’s Convenience moving shop to London, England, with director Esther Jun at the helm
Kelly Nestruck
November 7, 2023
Stratford Festival to see returns of Sara Topham, Vanessa Sears and Deborah Hay in 2024
November 7, 2023
Lucy Eveleigh joins Luminato as festival producer after departing Fringe
November 1, 2023
nestruck on theatre
Nestruck on Theatre: Israel-set thriller The Runner returns to the stage as war rages
Kelly Nestruck
October 31, 2023
review
Sandra Caldwell’s The Guide to Being Fabulous keeps it real and rollicking
October 30, 2023
review
Jagged Little Pill is full of beauty, pain and raw emotion, like the album that inspired it
October 27, 2023
review
The Wild Rovers, inspired by the Irish Rovers, leaves audience in want of a portal out
October 20, 2023
Israeli performer Niv Petel portrays an army liaison in one-man show Knock Knock
October 19, 2023
Alanis Morissette talks activism, feminism and musicals: ‘Anger as a life force is delicious’
October 18, 2023
How Donald Trump’s win in 2016 pushed Will Arbery to get Heroes of the Fourth Turning on stage
October 9, 2023
review
La Bohème offers reminder of opera’s deep connection with messy, real human life
Catherine Kustanczy
October 9, 2023
review
Branden Jacobs-Jenkins’ Appropriate forces us to consider the foundations of our existence
October 6, 2023
Siminovitch Prize shortlist for 2023 includes playwrights d’bi.young anitafrika, Mishka Lavigne
October 5, 2023
New works, mostly by women, dominate the Canadian dance landscape this fall
October 4, 2023
review
Love, justice and freedom resonate through Canadian Opera Company’s Fidelio
October 2, 2023
review
Roy Orbison jukebox musical In Dreams will leave you feeling good about feeling bad
October 2, 2023
review
Walter Borden’s The Last Epistle of Tightrope Time is a retrospective of the veteran actor’s life, and a reason to smile
October 1, 2023
review
Slow-burning Topdog/Underdog plays a complex riff on race and masculinity like a quietly haunting blues
September 29, 2023
review
Six reigns supreme with long-awaited Toronto arrival
September 28, 2023
A new wave of Indigenous opera arrives in Canada
September 28, 2023
Actor Gray Powell on returning to live theatre with Branden Jacobs-Jenkins’ Appropriate
September 27, 2023
For the Charlotte Ballet, being at Toronto’s Fall for Dance North festival means everything
September 26, 2023
review
The Queen in Me shows that art persists in the face of anti-LGBTQ and anti-trans protests
Jenna Simeonov
September 24, 2023
In Mirvish’s new pop-musical Six, Henry VIII’s wives tell their side of history
September 21, 2023
Canadian playwright Hannah Moscovitch is drawn to the dark side – and Hollywood
September 21, 2023
theatre review
The Master Plan is a frenetic and thought-provoking satire about Big Tech and bureaucracy
Martin Morrow
September 15, 2023
review
Love’s Labour’s Lost at Stratford is something to savour, much like a guilty pleasure dating reality show
September 14, 2023
essay
When my book Sideways was adapted for the stage, I learned the art of transforming non-fiction into fiction
Josh O’Kane
September 13, 2023
fall cultural preview
Fall theatre guide: Exciting world premieres and intriguing twists await this season
September 13, 2023
Indigenous opera Canoe explores outdoor gear from a First Nations perspective
September 12, 2023
Stratford Festival returns to Neverland as Wendy and Peter Pan to open 2024 season
September 12, 2023
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