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Theatre and Performance
Theatre Reviews
review
The Death of Walt Disney is both entertaining and experimental dark comedy
4 hours ago
review
Mad Madge is a rollicking, no-holds-barred ahistorical romp that aims for a blazing world of glory
April 12, 2024
review
Christine Quintana’s El Terremoto shakes things up at Tarragon Theatre with its inspired approach to adaptation
April 5, 2024
review
Canadian Stage’s Brendan Healy delivers a powerful and poignant two-part Toronto premiere of The Inheritance
April 1, 2024
review
The National Ballet delivers tough-to-love winter program
March 22, 2024
review
Broadway’s Dana H., now in Toronto, is a harrowing piece of total theatre that must be experienced live and in person
March 18, 2024
review
3 Fingers Back asks its audience to consider our collective values and judgments
March 12, 2024
review
Rosencrantz and Guildenstern are Dead is resurrected in Jeremy Webb’s Hobbit-filled production
March 11, 2024
review
Three Sisters at Soulpepper features three performances you won’t soon forget
March 8, 2024
review
Disney’s Aladdin on stage? Aladdon’t - unless you missed the pantomime this year
February 22, 2024
review
Poet Luke Reece reveals the vulnerabilities too many men keep locked away
February 19, 2024
review
Universal Child Care at Canadian Stage is a cutting critique of child care in wealthy countries
February 18, 2024
review
Diane Flacks’ Guilt: A Love Story is a confessional solo show about divorce that could easily go viral
February 16, 2024
review
Earworm at Crow’s Theatre is a must-see amid foreign interference inquiry
February 14, 2024
review
Soulpepper’s De Profundis: Oscar Wilde in Jail is full of fascinating contradictions
February 12, 2024
review
Dion: A Rock Opera has promise, but lacks the ecstasy and excess that Dionysus and rock ‘n’ roll demand
February 11, 2024
review
With remount of Uncle Vanya at CAA Theatre, actors have honed performances to perfection
February 8, 2024
review
Pity and grace weigh heavy in Canadian Opera Company’s Don Giovanni
February 5, 2024
review
COC’s Cunning Little Vixen asks its audience see the beauty of the forest over the trees
January 29, 2024
review
The Shadow Whose Prey the Hunter Becomes is a scary (and amusing) view of the AI future
January 19, 2024
review
Natasha, Pierre and the Great Comet of 1812 a chance to glimpse two shooting stars in its Canadian premiere at Crow’s Theatre
December 22, 2023
review
Pride and Prejudice* (*sort of) is an ingenious and fun reworking of Jane Austen’s ubiquitous novel
December 18, 2023
review
The cheerful exuberance of 42nd Street is sure to sweep you away
December 15, 2023
review
Chris, Mrs, a cozy new Christmas musical, has all the hallmarks of a modest holiday hit in world premiere at Winter Garden Theatre
December 8, 2023
review
Kidd Pivot’s Assembly Hall is a convocation of half-formed ideas
December 7, 2023
review
Angels in America: Tony Kushner’s two-part classic is as necessary as ever, even in That Theatre Company’s imperfect Toronto production
November 30, 2023
review
Onegin’s crisp choreography redeems its stale storyline
November 24, 2023
review
To Kill a Mockingbird at Mirvish makes a rare touring stop in Toronto for a big-budget Broadway play
November 22, 2023
review
Prophecy Fog at Coal Mine Theatre feels essential at this moment in time
November 20, 2023
review
Part of the appeal of The Lehman Trilogy is the absence of a large, obvious statement
November 17, 2023
review
At Tarragon Theatre, Morris Panych’s Withrow Park is an unthreatening comedy of menace
November 16, 2023
review
New Second City revue Chaos Menu: Disorder Up! makes light of life’s everyday absurdities
November 14, 2023
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