Liam Lacey

Liam Lacey’s TIFF diary: Tom Hardy’s onscreen evolution continues in The Drop

Liam Lacey’s TIFF diary: What Bill Murray did on his special day

The Captive: Something’s missing from this operatic cop drama

Liam Lacey’s TIFF diary: A guide to this year’s gay-themed films

TIFF preview 2014: The Globe’s Liam Lacey takes on the haters

Life of Crime: Suffers in contrast with past Elmore Leonard adaptations

The November Man: We’ve seen this Cold War story before

Rich Hill: An empathetic film about left-behind America

The F Word: This rom-com tries too hard to please

Sin City has some style, but it’s not to die for

Senoritas: TIFF's Lina Rodriguez turns focus to Colombia

Are You Here: A feature film full of less-inspired ideas

The Dog: The curious incident with the Dog in the limelight

The Trip to Italy: Coogan and Brydon do Italy

The Expendables 3: When even low expectations are too high

The Giver: Battle against ‘sameness’ feels all too familiar

Want to meet Arnold? TIFF announces next round of 2014 films

Robin Williams’ warp-speed improvisation was almost too fast to be human

Night Moves: Eco-terrorism thriller’s radical start derailed by generic ending

Calvary and Land Ho!: Tradition vs. contemporary mores