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Theatre and Performance
Theatre Reviews
review
The Shark is Broken best viewed as piece of performance art by the son of Quint
October 3, 2022
review
Jonathan Church dances a fine line between Singin’ in the Rain faithful and his own vision
September 30, 2022
review
Canadian Stage’s Public Enemy serves up a very Canadian dinner party (and the end of civilization)
September 26, 2022
review
In Tarragon Theatre’s captivating Cockroach, a bug and a bard teach a boy to survive
September 26, 2022
review
Bad Parent, Ins Choi’s first comedy since Kim’s Convenience, captures how having a baby complicates marriage
September 21, 2022
review
In Stratford Festival’s 1939, Shakespeare oppresses and liberates students at a residential school
September 14, 2022
review
The striking Uncle Vanya at Crow’s Theatre was worth the wait
September 12, 2022
review
In Soulpepper’s Queen Goneril and King Lear double bill, Shakespeare comes second
September 8, 2022
review
Stratford Festival’s production of Death and the King’s Horseman is powerful and profound
August 29, 2022
review
The Miser showcases the richness of rep – and Colm Feore’s fantastic physical comedy – at the Stratford Festival
August 28, 2022
review
Gem of the Ocean is a stunning night at the theatre
August 23, 2022
review
Just to Get Married no longer anonymous or neglected at Shaw Fest a century after its debut
August 21, 2022
review
The Doctor’s Dilemma is another reason to make Bernard Shaw your token anti-vax friend this season at the Shaw Festival
August 19, 2022
review
Trojan Girls is the exhilarating immersive theatre experience you’ve been waiting for
August 9, 2022
review
On Golden Pond is a golden opportunity for Shaw and Stratford patrons to discover old favourites now working at Drayton Entertainment
July 27, 2022
review
A comedy of menace in a Detroit state of mind at Coal Mine Theatre
July 14, 2022
review
Review: Polyamory? In this economy? Every Little Nookie is a swinging sex comedy for inflationary times at the Stratford Festival
July 11, 2022
review
All’s Well That Ends Well ends with cognitive dissonance instead at Stratford Festival
July 11, 2022
review
Little Women show their inner riot grrls in new stage adaption of enduring story at the Stratford Festival
July 10, 2022
review
Broadway-bound & Juliet brings a Shakespearean heroine (and the jukebox musical) back from the dead
July 7, 2022
review
Everybody, rock your mortal body right at the Shaw Festival
June 23, 2022
review
Mission Totally Possible, new Second City Toronto revue, is good fun but leaves the envelope where it is
June 23, 2022
review
A Midsummer Night’s Dream in Vancouver delivers with a silly and wise story and spectacular costumes and sets
June 22, 2022
review
Harry Potter and the Cursed Child is a mindbogglingly magical live show, but strictly for Potterheads
June 19, 2022
review
The Importance of Being Earnest is witty, and never wearisomely so, at the Shaw Festival
June 17, 2022
review
Ted Dykstra and Richard Greenblatt leave it all on stage in their hit double act 2 Pianos, 4 Hands
June 17, 2022
review
Karen Kain’s Swan Lake goes beyond the classic’s tragic romance to deliver a story about friendship
June 11, 2022
review
Dixon Road is a refugee musical with funky tunes and a promising future
June 10, 2022
review
Where the Blood Mixes is a roller coaster that never loses steam
June 6, 2022
review
Chicago gives more razzle-dazzle than ever in Donna Feore’s new production at the Stratford Festival
June 6, 2022
review
Richard III features Colm Feore in top form – and gives ample opportunity to ogle Stratford Festival’s new Tom Patterson Theatre
June 5, 2022
review
A lively and entertaining Hamlet to kick off the Stratford Festival’s comeback season
June 3, 2022
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