What to do in assessing the year, with so much to cover, so many hundreds of shows? Make a list of the best for readers to know about, to savour as intelligent distractions and entertainment. That’s what.
For this best-of list, my emphasis is on new material. Some of these titles landed on cable or broadcast TV, and here’s where to find them now.
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The Bear (streams Disney+) is about Carmy (Jeremy Allen White), a young chef going upward in his career, but a bit troubled. He returns home to Chicago after his brother’s unexpected death, to run the family’s neighbourhood restaurant. Sound like a family drama with the usual twists? It’s not. Intense, darkly comic and as brittle as Carmy’s sanity, this small show is like an explosion of ideas, characters and anxieties. Never has a garrulous kitchen staff been brought so vividly to life. An instant classic.
The Patient (streams Disney+) is an exquisitely taut thriller, utterly unpredictable, and it’s mainly a two-hander. Middle-aged, unsettled therapist Alan (Steve Carell) takes on a new patient, Sam (Domhnall Gleeson), an enigma who says he was abused by his father. One morning Alan awakes to find he’s chained to a bed in Sam’s basement, where Sam confesses that he’s a serial killer. Like nothing you’ve seen recently, the 10 half-hour episodes are unfailingly gripping, scary and moving. Possibly the most serious-minded series of the year.
The Girl from Plainville (streams Stack TV) is true-crime brought to unnerving life. The case is the 2014 death by suicide of 18-year-old Conrad Roy (Colton Ryan), a notorious case because 17-year-old Michelle Carter (Elle Fanning) was alleged to have sent messages encouraging him to kill himself. Carter was convicted of involuntary manslaughter. Here, you are asked to be the jury, and to understand contemporary adolescent angst presented with a subtlety that challenges you. A poignant nuanced drama.
Severance (streams Apple TV+) is a wry, sinister take on work/life balance and the most-praised show of the year. No wonder. It asks what if you could park your personal anxiety somewhere else while at work? And what if everything about your employer was deeply sinister, even those small engagements with fellow workers? Mark Scout (Adam Scott) is the everyman figure and Christopher Walken plays, with enormous grace, a man hanging on. A hugely ambitious drama achieving all it aims to be; plaintive, moving and surprising.
Slow Horses (streams Apple TV+) is a genius variation on old-school espionage dramas. Based on the novel by Mick Herron, itself a twist on John le Carré's world, it brings us one of the great dilapidated spies. That’s Jackson Lamb (Gary Oldman, relishing it) a man so burnt-out, seedy and cynical, he’s mesmerizing. A bunch of semi-competent spies surround him and the result is thoroughly engaging, acidic at times and yet action-filled.
The Staircase (streams Crave) dramatizes the well-known case of the death of Kathleen Peterson (Toni Collette) who was found dead at the bottom of a staircase and it asks if husband, Michael Peterson (Colin Firth) was truly responsible, as the courts found. The story was the subject of a classic true-crime documentary series and yet here, more is revealed about the bewildering and thorny case. Superb acting from the two leads and a true puzzle to ponder.
Pachinko (streams Apple TV+) is epic in scope but intimate in focus, weaving and bobbing from a Korea in 1915, then occupied by Japan, over the decades, to 1989 when Solomon Baek (Jin Ha) arrives in Japan from the U.S. to secure a financial deal. The history behind him is the meat of the story, told with glorious visual oomph and yet with a humane feel that startles and brings you to tears. (In English, Korean and Japanese, with English subtitles).
Black Bird (streams Apple TV+) is a fraught prison drama, but spreads to become a story about toxic masculinity everywhere. We meet Jimmy Keene (Taron Egerton, who played Elton John in Rocketman) who is looking at 10 years behind bars. Then an FBI team makes Jimmy an offer. If he makes friends with Larry Hall (Paul Walter Hauser), a prisoner doing time for a murder, and gets information, he can go free. A slow-burning tour de force, remarkably free of melodrama.
As We See It (streams Amazon Prime) is a peach of a show. Based on an Israeli series, it’s best called a “dramedy” about three roommates who are on the autism spectrum. The actors identify as being on the spectrum and all three are deft at both the humour and the wrenching circumstances of their fictional lives here. Uproarious, poignant and pointed.
Chloe (Amazon Prime Video) is on this list because it’s very smart escapism; a psychological thriller that’s prestige popcorn drama. British, it has Erin Doherty (Princess Anne in The Crown) as Becky Green, a sullen woman living in a council house, taking care of her mom, who has dementia. She becomes obsessed with the online life of Chloe Fairbourne (Poppy Gilbert), who seems to have it all, but doesn’t. Doherty’s ability to convey the sheer poignant weirdness of Becky is astounding.